A project in collaboration with The Crafts Council and Kings College London working with Thrishantha Nanayakkara, Naomi Mcintosh and Nantachai Sornkarn.
Friday, 7 November 2014
joiningaproductionline
a day of refining and joining - the inevitable production line and eventually satisfaction. The work today was about trying to both explore ideas of multiple and joining whilst creating a more 'finished' piece that can be mapped and monitored next week at our meeting at Kings.
Thursday, 30 October 2014
thespaceofabookmarkingnegativespace
A day of robotics at Kings – testing and talking – as ever I've come away with a note book full of words I didn't know existed and
concepts that I have to reflect on. There was a wonderful moment when a room
full of PhD students were fiddling with our creations – you could see their
minds making connections and making sense, their sense.
A conversation about testing how the structures we have
built affects its environment - (moving them in a tank of floating particles
and observing how the particles move) connected with a thought I have had about
the space a book inhabits – where does a book begin and end and could one cast
that space? This led to the idea of working in negative space and the idea of
searching for a place of not knowing. As a strategy I have realised that during
this project if I am working on something and its becoming familiar I tend to
move away from it into a place of not knowing. Lots of learning is taking
place.
Friday, 24 October 2014
breakingrulesmakingrules
Rules are interesting – either setting them from the outset and
seeing what work/outcomes occurs as a result of following them or through
reflecting on practice and realising that they are inherent in your work. a way of 'short-cutting' this is watching other makers, this acts as a form of mirror - and then adopting – so I am finding myself relieved of
the making-work-from-one-sheet-of-material-rule and allowing cutting with ‘random’
shapes that do not make a whole – some interesting outcomes so far.
Saturday, 18 October 2014
revelationandenlightenmentthroughvariableforces
An awesome day of insight, revelation and enlightenment. Our
first sharing meeting after doing some work...... collaboration through sharing
and creating new work between practices is already proving a rich learning
ground. Finding out how somebody thinks is so energising, doing this while they
are holding your work is fascinating – a real insight. I watched Nantachai as he ‘communicated’
with a small folded paper – feeling the variable forces within both the paper
and then almost as a feedback loop into him!!!
Walking around the lab created so many starting points that
i thought my head might explode- from wires and dynamics, to pumps and the potential of new material
The wildest thing i go away with is the idea that the
objects i make can be ‘reduced’ to a formula based on the forces within it –
wow and wow again – it has changed how i think about the folding both as
intention beforehand, concentrating during and what the work could be as an after
though during reflection.
Tuesday, 14 October 2014
twobecomeone
Received the first package from Naomi today – its interesting
to see how others make, the activity makers engage in and the unwritten rules they
create such as cutting and folding and curved lines v straight lines. This of
course becomes all about how you make your own work. Her starting points have
taken me on a journey of inside/outside – thinking about how organs/cogs/internal
material will have to move within the confines if an outer case – is this just
an old fashioned vision of what a robot should/could be?
Wednesday, 8 October 2014
foldingcircles
a morning of working on folding circles and attempting to
join one circle to the other - got to love these people at http://wholemovement.com/ lots of
possibilities. meanwhile when looking at the imagery it all gets a little nazigothicmystic.
Friday, 3 October 2014
handholdline
Reflecting
on repetitive acts leads to revelation. When developing creative solutions to
material problems makers often undertake hundreds of similar movements. There
are a huge number variations within each piece which leads to a range of iterations
of the wire/line pieces.
Subscribe to:
Posts (Atom)